Dale Devereux Barker ‘Skype Me a River’, Unique Lino Print, 30cm x 30cm (Unframed)

Est. £100

Carlos Fernandes ‘Recycled’, Plaster of Paris, linen, sand and acrylic on wood, 40cm x 50cm (Framed)

Est. £30

Alexander Osborne ‘Still Life’, Oil on canvas, 50cm x 35cm (Unframed)

Est. £40-80

 

David Davies ‘Stairway’, Ink and soot collage, 12cm x 7cm (Framed)

Est. £20-40

 

Malcolm Moseley ‘Pyramids’, Mixed media, 8cm x 12cm (Framed)

Est. £75-100

Matt Moseley ‘Untitled’, Ink on paper, 8cm x 14cm (Framed)

Est. £25-35

 

Gary Malcolm Johnson ‘Hat and Coat Hook’, Acrylic on canvas, 40cm x 30cm (Unframed)

Est. £75-100

 

Tory Lawrence ‘Study of Three Tortoishell Butterflies’, Watercolor on paper, 28cm x 44cm (Framed)

Est. £120-150

 

Judy Goldhill ‘NGC 297’, Print on paper, 46cm x 36cm (Framed)

Est. £100

 

   ‘This negative and positive print – apparently – of NGC 297 was recently found in a cabinet which had belonged to the great American astronomer E. E. Barnard.

   It shows and irregular nebula in the constellation of Cygnus with the globular cluster M162 in the top far left.

   The discoverer of the print has subsequently denied that the image was first created by the nocturnal impact of a gull on a glass plate.’

 

Bill Jackson ‘Grotto III’, 1 of 2, Inkjet print, 22cm x 22cm

Est. £75

Jane Grisewood ‘There Not There’, edition 7/25, Giclee debossed print on 255gsm Somerset Velvet paper, 25cm x 19cm (Unframed)

Est. £80-100

 

   ‘Countless birds have untimely deaths flying low and crashing into glass screens and windows, leaving an eerie absence/presence. The camera captures the traces, which mysteriously appear – ghostly, animated and unmistakably visible. This photograph tells the storyy of one such bird that flew too close to the ground.’

 

Lisa Temple-Cox ‘Displacement 2’, Mixed media, 38cm x 38cm (Unframed)

 

Est. £75-90

 

Margaret Atwood ‘The Year of the Flood’, Signed by the Author, Special edition 1/1000, 434 pages, published by Bloomsbury

Est. £75-100

 

Edited by Giles Foden ‘Body of Work: 40 Years of Creative Writing at UEA’, 351 pages, published by Full Circle Editions

Est. £20-30

 

Peter Schrank ‘Three Man in a Boat’, Original cartoon produced for Independent on Sunday 16/2/2014, 19cm x 32cm (Unframed)

Est. £40

 

David Campbell Baldry ‘Kissing Moons’, Omnigraph and indian ink on paper, 40cm x 30cm (Framed)

Est. £75-100

 

Julian Simmons and Sarah Lucas ‘TittiPussiDad’, Signed and with drawings by the Authors, Hardback, Sewn-section cold-glue binding, 648 pages edge-coloured, 705 photographs, 41,000 words, 340 x 253 x 58mm

Est. £125-250

Sculptures Sarah Lucas 2012 | Made in Oaxaca 27 March – 12 April 2012 | “It’s the bible this fucking book!”, Sarah Lucas | An exhibition at Anahuacalli Museo Diego Rivera 20 April – 8 July 2012, Mexico City, Dir. Hilda Trujillo Soto | In collaboration with José Kuri, kurimanzutto, Mexico City; “This is a historic object”, José Kuri.

‘For Anahuacalli in Mexico City I wanted to make the sculptures in Mexico. Knowing that Nuds will tap into the forces that surround them, the enchantment of the place, and its spirits. I chose Oaxaca for the making process. Or perhaps it chose me. Even the most ordinary materials are subject to variation country to country. One can either get het up about that or go with the flow. The flow is where the life is, and the surprising things. On the street, in bars, in the marketplace. Tracking down stuff is a good way to get to know a town. The one thing leads to another. Everything you need is around you somewhere, always. Of course you have to make a start. Start by not thinking it’s elsewhere’, Sarah Lucas.

Sarah Lucas is represented by Sadie Coles Gallery London.

Andrei Costache ‘SL Party', Signed Edition 1/10, Printed on matt paper, 26cm x 37cm

Est. £30-60

This editioned hand drawing coloured in Photoshop has haunted Andrei’s ouvre of the last few months. It is rooted in the artist’s influential Romanian folklore. The title is in Andrei’s mother tongue and reflects his life and up-bringing in the hometown of Constanta. A place by the beach in Dobrogea, the east of Romania, where Andrei spent most of his time playing Super Mario. Imbued with a tribal and carnivalesque atmosphere the work renders a blossoming young identity.

Andrei Costache ‘Dobrogeana', Signed Edition 1/10, Printed on matt paper, 26cm x 37cm

Est. £30-60

This editioned hand drawing coloured in Photoshop has haunted Andrei’s ouvre of the last few months. It is rooted in the artist’s influential Romanian folklore. The title is in Andrei’s mother tongue and reflects his life and up-bringing in the hometown of Constanta. A place by the beach in Dobrogea, the east of Romania, where Andrei spent most of his time playing Super Mario. Imbued with a tribal and carnivalesque atmosphere the work renders a blossoming young identity.

Andrei Costache ‘Voievodul Urban’, Signed Edition 1/10, Printed on matt paper, 26cm x 37cm

Est. £30-60

This editioned hand drawing coloured in Photoshop has haunted Andrei’s ouvre of the last few months. It is rooted in the artist’s influential Romanian folklore. The title is in Andrei’s mother tongue and reflects his life and up-bringing in the hometown of Constanta. A place by the beach in Dobrogea, the east of Romania, where Andrei spent most of his time playing Super Mario. Imbued with a tribal and carnivalesque atmosphere the work renders a blossoming young identity.

 

Andrei Costache ‘In Marele Mix’, Signed Edition 1/10, Printed on matt paper, 26cm x 37cm

Est. £30-60

This editioned hand drawing coloured in Photoshop has haunted Andrei’s ouvre of the last few months. It is rooted in the artist’s influential Romanian folklore. The title is in Andrei’s mother tongue and reflects his life and up-bringing in the hometown of Constanta. A place by the beach in Dobrogea, the east of Romania, where Andrei spent most of his time playing Super Mario. Imbued with a tribal and carnivalesque atmosphere the work renders a blossoming young identity.

 

Andrei Costache ‘Croitoreasa’, Signed Edition 1/10, Printed on matt paper, 26cm x 37cm

Est. £30-60

This editioned hand drawing coloured in Photoshop has haunted Andrei’s ouvre of the last few months. It is rooted in the artist’s influential Romanian folklore. The title is in Andrei’s mother tongue and reflects his life and up-bringing in the hometown of Constanta. A place by the beach in Dobrogea, the east of Romania, where Andrei spent most of his time playing Super Mario. Imbued with a tribal and carnivalesque atmosphere the work renders a blossoming young identity.

 

Andrei Costache ’Zarnacadelele din pletele tale’, Signed Edition 1/10, Printed on matt paper, 26cm x 37cm

Est. £30-60

This editioned hand drawing coloured in Photoshop has haunted Andrei’s ouvre of the last few months. It is rooted in the artist’s influential Romanian folklore. The title is in Andrei’s mother tongue and reflects his life and up-bringing in the hometown of Constanta. A place by the beach in Dobrogea, the east of Romania, where Andrei spent most of his time playing Super Mario. Imbued with a tribal and carnivalesque atmosphere the work renders a blossoming young identity.

 

Maggi Hambling ‘Moon and Sea’, Signed on reverse, Oil on board, 8cm x 10cm (Framed)

Est. £750-1000

 

Maggi Hambling OBE is a British contemporary painter and sculptor. Perhaps her best-known public works are a sculpture for Oscar Wilde in central London and Scallop, a 4-metre-high steel sculpture on Aldeburgh beach dedicated to Benjamin Britten.

 

Maggi Hambling is represented by Marlborough  Fine Art Gallery London.

 

 

Ryan Gander ‘Still Not to Be Trusted with a Paper Clip’, Edition of 50, Artist proof of 10, archival inkjet print on Hanhemuhle Photo Rag 308gsm paper, with Certificate of Authenticity, 25cm x 34cm (Unframed)

Est. £500-750

   ‘A close up image of a shirt breast pocket. A small piece of notepaper is poking out of the breast pokect displaying a description of a dream by a friends of the artist on the subject of a new work being produced by the artist, which kept reminding him to make the work envisaged. The text reads: I had a dream in which you had a guest appearance. We had a conversation and you showed me an insert you made for a magazine. The insert was a poster with images of works that you recommend to big companies: actually they were photos of the models of the works. I only looked at one of the works, which was a beer garden style table with hand drawn measurement marks on it, and tape bits stuck to the side. Before my dream took me elsewhere you said something about American Apparel…’

Ryan Gander is represented by Lisson Gallery London.

Stephe Newton "Room with a Caged Bird", Oil on canvas, 30cm x 40cm
Est. £400-750

 

 

Eloise Corbett "Made of Tougher Stuff" medium: Resin, Calcium, Salt on Painted wooden plinth Dimentions: 51x8.5 cm
Est. £30-40

Eloise Corbett "What We See" medium:Photogram print (Framed) dimensions: 59.4×84.1cm

Est. £40-60

 

Eloise Corbett "Action-Reaction" medium: iron filings, paper, rust (Framed) dimensions: 21× 29.7cm: x2
Est. £25-30

 

 

 

Loisjoy Thurston ‘Moon’, monoprint, 69cm x 49cm (Framed)
Est. £35-40

Roger Hardy ‘Orford castle’, Oil and collage on canvas, 60cm x 60cm (Framed)
Est. £250-500

 

Glen Toner ‘Jack Johnson’, Linocut, 15cm x 10cm (Framed)
Est. £34-45

Glen Toner  ‘Ken Buchanan’, Linocut, 30cm x 20cm (Framed)
Est. £40-60
 

 

 

Michael Landy ‘Saints Alive’, book, softcover, published by National Gallery
Est. £25

 

Michael Landy, special edition t-shirt, size Large (Front and back)
Est. £25

 

Yvonne Forster ‘The Old Buck’, Linocut, Ink on paper,  13cm x 13cm (Framed)
Est. £15-20

Yvonne Forster ‘Shadowboxing’, Collograph, Ink on paper, 19cm x 23cm (Framed)

Est. £20-25

Naomi Munuo ‘Boy Drawing’, Mixed media, 37cm x 29cm (Framed)
Est. £55-100

 

 

Emily Godden (Audit Chaos) ‘Human’, Dry point on paper, 34cm x 15cm (Unframed)
Est. £25-30

Karen McGregor ‘Millie’, Edition 3 of 5, Reduction Lino print on paper, 30cm 30cm (Framed)

Est. £25-30

 

Juango Guerra ‘5’, graphite pencil and conte crayon, 30cm x 40cm (Framed)
Est. £40-60

 

Richard Dolby 'This is the place' Oil on canvas 41cm x 30cm (Unframed)
Est. £20-25

 

Sarah Bale ‘Chrystal Meth B’, Thread and pins on canvas, 29cm x 24cm (Framed)

Est. £30-50

 

Robin Warnes ‘Tree form’, Acrylic on paper, 8cm x 12cm (Framed)

 

Est. £100-120

 

Caroline McAdam Clarke ‘Orford Ness’, Watercolor and pencil on paper, 10cm x 15cm (Unframed)

Est. £30-50

 

John Christie 'Untitled', Printed on paper

Est. £50-75

A two-colour relief print made from a 1946 etching (plate lost) in 1994 as the frontispiece to John Berger's book of poems 'Pages of the Woundwhich'. Published by John Christie with Circle Press (90 signed copies). This signed edition 26/50 of the print was separate from the book. The actual image is 75mm x 160mm (paper size 225mm x 320mm). John Berger was around 20/21years old and a student at Chelsea.

Naomi Pratchett ‘Untitled’ Acrylic on paper, 12cm x 17cm (Framed)

Est. £15-25

 

Naomi Pratchett ‘Untitled’ Acrylic on paper, 12cm x 17cm (Framed)

Est. £15-25

 

Rosie Samson ‘Path’ Mixed media and acrylic on paper, 25cm x 18cm (Framed)

Est. £25-35

 

Rosie Samson ‘Nightfields’ Mixed media and acrylic on paper, 19cm x 28cm (Framed)

Est.£20-30

 

Gerard Dutton ‘Easter’, Oil on canvas, 76cm x 61cm (Unframed)

Est.£20-30

 

Richard Day ‘Jimi Hendrix’ Acrylic on canvas, 81cm x 101cm (Unframed)

Est.£60-80

 

Anne Welsh ‘Nightscape, Landguard Fort’ Pastel on paper, 29cm x 39cm (Framed)

Est.£45-55

 

Ian Moss ‘Red is a mean mean colour’ Digital print, 42cm x 30cm (Framed)

Est.£20-30

 

 Ian Moss ‘Framing the imperfect imperfectly’ Digital print, 42cm x 30cm (Framed)

Est.£20-30

 

 

Ian Moss ‘I was wondering… Why are we here?’ Acrylic on canvas, 76cm x 50cm (Unframed)

Est.£40-60

 

Jane Watt 'Margot's Necklace (Study for Darwin Green)' Cynotype on paper, 28cm x 38cm (Framed)

Est.£75-100

 

Thomas Webster ‘Random Tape 1’ Monoprint on paper, 29cm x 42cm (Framed)

Est.£20-30

 

Thomas Webster ‘Random Tape 2’ Monoprint on paper, 29cm x 42cm (Framed)

Est.£20-30

 

Thomas Webster ‘Random Tape 3’ Monoprint on paper, 29cm x 42cm (Framed)

Est.£20-30

 

Katie Williamson ‘Rainstorm in Microcosm Series No. 2’ Oil on canvas, 60cm x 60cm (Unframed)

Est.£75-100

 

Laurel Berry ‘Little Swimmer’ Oil on canvas, 30cm x 30cm (Unframed)

Est.£40-50

 

Chris Newson ‘Happy Me’, Oil on board, 25cm x 17cm (Framed)

Est.£50-70

 

 

John Fazakerly ‘Life is’, Plaster cast, 30cm 15cm (Framed)

Est.£20-30

 

Val Jones ‘Alphanstone Mud’ Acrylic on canvas, 50cm x 50cm (Unframed)

Est.£100-125

 

Bethany Sherman ‘The Orange Form’ Acrylic and chalk on canvas, 45cm x 35cm (Unframed)

Est.£30-40

 

Anne-Marie Jarvis ‘Untitled’ Watercolour on laminated board, 20cm x 15cm (Framed)

Est.£20-30

 

Mary Webb ‘Val D’Elsa 1’ Edition 5 of 50, Screen print on paper (Unframed)

Est.£150-200

Mary Webb, Suffolk based artist, makes strong, geometric abstract paintings.

Writing about Mary’s work Tim Hilton says:

“At first sight, Mary Webb’s paintings and prints appear to be extraordinarily bold. Their designs are composed of simple shapes: triangles, squares and other rectangles.

She never uses a circle, which we guess might be too elegant for her forthright purposes. Colour is evenly applied within each section and the shape of the whole work is always a square.

...In these resolutely abstract works is the sensibility of a landscapist. Mary Webb titles her prints after places that inspired them.

 

Alexander Woolcock ‘Chinese Venice’ Edition 4 of 6, Dry point on paper, 36cm x79cm (Framed)

Est.£75-100

 

Anna Stollery ‘Two-Headed Woman’ Mixed media on paper, 40cm x 30cm (Framed)

Est.£25-30

 

Anna Stollery ‘Mansion’ Dry point on paper, 29cm x 39cm (Framed)

Est.£35-40

 

Richard Bawden ‘Blue Cat’ Lino print, Edition 82 of 85, 37cm x 42cm (Unframed)

Est.£200-250

Born in 1936, the son of the well-known artist, Edward Bawden, R.A. Richard studied painting, printmaking and graphic design at Chelsea, St Martin's and the Royal College of Art. His paintings are drawn from life and often depict scenes of domesticity: his house, sofas, chairs, windows, cats, his garden and its birds. He is attracted by atmosphere, oddity, pattern and the austere. Focussing on these, he draws the viewer into his delightful universe.

Jason Nunn ‘Bowie’ Pencil on paper, 29cm x 42cm (Framed)

Est.£30-40

 

Michaela Simone Organ ‘Untitled’, Photographic print, 29cm x 21cm (Framed)

 

Kayleigh Esteller ‘Lost in Translation’, Photographic print on Hessian, 21cm x 14.8cm (Framed)

Cat Fuller ‘Sanctuary’, Mixed media on canvas, 45cm x 60cm (Unframed)